Obituaries

Mary Alice Hovey (nee Cochran), 65, of Woodbridge, VA, passed away March 12, 2021 after a sudden illness.

Mary was born February 12, 1956 at Patrick, AFB, Cocoa Beach, FL, to Alice and George W. Cochran, Jr.  She graduated from Friendly High School in Fort Washington, MD (‘74).  Mary met her husband, Karl, of 45 years while she attended the University of Mary Washington in Fredericksburg, VA.  She later graduated with an Arts & Sciences degree, with honors, from Germanna Community College, Fredericksburg.


Obituaries

On the evening of March 8, 2021, Joanne M. Iannitto, DNP, ANP-BC, GNP-BC passed away peacefully with her loving husband by her side after a brief and fearless battle with cancer.

Joanne is survived in death by her husband Albert of 44 years, her son and daughter in-law Matthew and Lauren, her daughter Ann, and three grandchildren.  Joanne also leaves behind 5 siblings: Mary Jane, Maureen, Lisa, George and Joe, their spouses and beloved nieces and nephews.  Joanne was loved by many and will be greatly missed.


Features

In celebration of Women’s History Month, the Workhouse Arts Center is proud to present Sue Johnson’s new solo exhibition Hall of Portraits from the History of Machines which will be on display in the McGuire Woods Gallery. This timely exhibition which explores the relationship between women, consumer culture, and machines will include works that have never been seen before and will feature paintings and three-dimensional objects.

Hall of Portraits from The History of Machines proposes an alternate pictorial history rooted in the mid-20th century where Johnson explores the evolution of the modern woman. Her work exposes parallels in the cornerstone moment when women began to be idealized for machine-like efficiency and when industrial progress envisioned domestic machines, such as vacuum cleaners, sewing machines, dishwashers, and telephones to provide labor-saving solutions. Drawing on a collection of vintage advertisements and editorial fashion pages, Johnson merges commodification with objectification by melding household convenience objects with the emergent female form; in result, creating a dream-like experience that transports the viewer into a world full of hybrid women provocatively suspended in mid-transformation.


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